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Aomori City

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Showing posts with label japan. Show all posts
Showing posts with label japan. Show all posts

3.8.11

Japan: summer festival in Aomori City

Aomori City in Aomori Prefecture is the northernmost prefectural capital city on Honshu, Japan's main island. This port town used to be the main departure point to Hokkaido via ferry; and, although it remains the main port for car ferries, the opening of the Seikan Undersea Railway Tunnel and the advent of cheap flights have reduced ridership and many travelers now bypass the city altogether. Today Aomori is best known for its spectacular Nebuta Matsuri summer festival.

In Aomori, you can see:


•    Nebuta Festival. Aug 2-7. Said to be Japan's biggest fire festival. This festival includes an abundance of street vendors. Each day culminates in a huge parade featuring lit up lantern floats and costumed dancers.  

•    Nebutanosato. This museum houses exhibits about the Nebuta if you're unable to make it during festival season.  

•    Aomori Bay Bridge. This bridge spans a short harbor inlet that could easily be walked around in five minutes, so it appears to be basically an excuse for public funding as a tourist attraction.  

•    Aspam Center. A large triangular building that can be easily spotted from the train station or the bridge, this is the tourism center for all of Aomori prefecture.

•    Asamushi Onsen. A hot springs resort on Mutsu bay with a rather large number of inns.  

•    Yotei-maru Ferry. The ferry which connected Hokkaido and Aomori prior to the building of the Seikan Submarine Tunnel, is now a somewhat run down museum, a short walk from the train station. The rear part of the deck of the ferry serves as a beer garden on summer nights.  

Nebuta Festival

















 
Nebuta Festival

Nebutanosato

Aomori Bay Bridge

Aspam Center

Asamushi Onsen

Yotei-maru Ferry.       





























































































Guide info: www.japan-guide.com/e/e3750.html

28.7.11

Japan: Japanese countryside, Nikko

Nikkō is a city in the mountains of Tochigi Prefecture, Japan. Approximately 140 km north of Tokyo and 35 km west of Utsunomiya, the capital of Tochigi Prefecture, it is a popular destination for Japanese and international tourists. Attractions include the mausoleum of shogun Tokugawa Ieyasu (Nikkō Tōshō-gū) and that of his grandson Iemitsu (Iemitsu-byō Taiyū-in), and the Futarasan Shrine, which dates to the year 767. There are also many famous hot springs (onsen) in the area. Elevations range from 200 to 2,000 m. The mountains west of the main city are part of Nikkō National Park and contain some of the country's most spectacular waterfalls and scenic trails.
As of January 1, 2008, the city has an estimated population of 92,181.


The post-merger city of Nikkō covers a large area (1,449.87 km²) of rural northwestern Tochigi. It is the third-largest city (by area) in Japan, behind Takayama and Hamamatsu.
Lake Chūzenji and the Kegon Falls lie in Nikkō, as does the Nikko Botanical Garden. The city's many mountains and waterfalls have made it an important source of hydroelectric power. The area has also been used for mining copper, aluminum and concrete.


The weather in Nikkō is fairly similar to that of Hokkaidō even though it is much closer to Tokyo than Hokkaidō. The elevation of Nikkō plays an important role in this fact. It will usually get cooler as one ascends the mountain. The average temperature of Nikkō is around 7°C (44°F) with the warmest months reaching only about 22°C (72°F) and the coldest reaching down to about -8°C (17°F).


Nikko experiences a humid continental and hemiboreal climate with cold, snowy winters and predominantly mild, very wet summers. Nikko is situated at an altitude of 1298m above sea level.








Samurai "the Way of the Warrior"

Samurai  is the term for the military nobility of pre-industrial Japan. According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning to wait upon or accompany a person in the upper ranks of society, and this is also true of the original term in Japanese, saburau. According to Wilson, an early reference to the word "samurai" appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century.


As de facto aristocrats for centuries, samurai developed their own cultures that influenced Japanese culture as a whole. The culture associated with the samurai such as the tea ceremony, monochrome ink painting, rock gardens and poetry were adopted by warrior patrons throughout the centuries 1200–1600. These practices were adapted from the Chinese arts. Zen monks introduced them to Japan and they were allowed to flourish due to the interest of powerful warrior elites. Muso Soseki (1275–1351) was a Zen monk who was advisor to both Emperor Go-Daigo and General Ashikaga Takauji (1304–58). Muso as well as other monks acted as political and cultural diplomats between Japan and China. Previously, tea had been used primarily for Buddhist monks to stay awake during meditation.

In general, samurai, aristocrats, and priests had a very high literacy rate in Kanji. For example, court documents, birth and death records and marriage records from the Kamakura period, submitted by farmers, were prepared in Kanji. Both the Kanji literacy rate and skills in math improved toward the end of Kamakura period.


The marriage of samurai was done by having a marriage arranged by someone with the same or higher rank than those being married. Most samurai married women from a samurai family, but for a lower ranked samurai, marriages with commoners were permitted. A samurai could have a mistress but her background was strictly checked by higher ranked samurai. If a samurai's wife gave birth to a son he could be a samurai.

A samurai could divorce his wife for a variety of reasons with approval from a superior, but divorce was, while not entirely nonexistent, a rare event. A samurai could divorce for personal reasons, even if he simply did not like his wife, but this was generally avoided as it would embarrass the samurai who had arranged the marriage. A woman could also arrange a divorce, although it would generally take the form of the samurai divorcing her. After a divorce samurai had to return the betrothal money, which often prevented divorces. 


Some rich merchants had their daughters marry samurai to erase a samurai's debt and advance their positions.
A samurai's wife would be dishonored and allowed to commit jigai (a female's seppuku) if she were cast off.
The philosophies of Buddhism and Zen, and to a lesser extent Confucianism and Shinto, influenced the samurai culture. The Buddhist concept of reincarnation and rebirth led samurai to abandon torture and needless killing, while some samurai even gave up violence altogether and became Buddhist monks after realizing how fruitless their killings
were. Painting of Ōishi Yoshio committing seppuku, 1703.

The philosophies of Buddhism and Zen, and to a lesser extent Confucianism and Shinto, are attributed to the development of the samurai culture.

A notable part of their code is seppuku (切腹 seppuku?) or hara kiri, which allowed a disgraced samurai to regain his honor by passing into death, where samurai were still beholden to social rules. Whilst there are many romanticised characterisations of samurai behaviour such as the writing of Bushido (武士道 Bushidō?) in 1905, studies of Kobudo and traditional Budō indicate that the samurai were as practical on the battlefield as were any other warrior.



Despite the rampant romanticism of the 20th century, samurai could be disloyal and treacherous (e.g., Akechi Mitsuhide), cowardly, brave, or overly loyal (e.g., Kusunoki Masashige). Samurai were usually loyal to their immediate superiors, who in turn allied themselves with higher lords. These loyalties to the higher lords often shifted; for example, the high lords allied under Toyotomi Hideyoshi (豊臣秀吉) were served by loyal samurai, but the feudal lords under them could shift their support to Tokugawa, taking their samurai with them.